Welcome Paradoxers! This blogspot will be our new home to share updates on everyone's new cd's, links to music venues, and other activities. You can also post remembrances, photos, and any other memorabilia you would like to share. It would be great if this could become like an archive for the Paradox -- then and now. More information to follow as I figure this out. In the meantime, please add your comments and keep the site alive and growing.
Saturday, January 8, 2011
Guitar lesson
Last night I watched Folk Rewind on PBS. What a great show. I love John Sebastian!
The show was a fantastic look back to all the songs of peace and social justice, which makes for a nice fund-raiser for pbs. Those were the days! Even had Bobby Darin in a tux and bow tie big enough for Soupy Sales singing his song of peace -- amazing watching him sing it.
But what I kept noticing is that most of the trios (Chad Mitchell, Kingston, Limelighters, the Brothers 3 +1) and groups like the Christie Minstrel Singers, played four-stringed guitars, which they strummed up by the neck. I had never noticed that before.
I guess the tenor guitar was big in those days (I, of course, thought it was an oddly shaped ukulele....)
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7 comments:
It IS a uke. At least it is the way most of the folkies played them.
Tenor guitars were originally tuned like tenor banjos c g d a, but a number of folkies, Nick Reynolds being the first, took to tuning them d g b e, just like a baritone uke, and just like the first four strings on a guitar. Reynolds was essentially a ukulele player.
Now that we're a couple of years into the latest uke craze (the last one was in the 30s) players are finding out about tenor guitars again, and a lot of the 20-somethings are using them in pop music. Neko Case and Jenny Lewis come immediately to mind.
Thanks Rik! I was struck by how most of the groups in that special played a four-stringed guitar. I had never noticed that before. I read that they had been originally tuned so that banjo players could pick it up and play it like a guitar. Since there were also a lot of banjo players in those groups that made sense.
I'm all for another ukulele craze! I keep waiting for the Paradox ukulele orchestra....
sign me up for the Paradox Ukulele Orchestra.......I have been practicing for when I move to Hawaii.
sign me up for the Paradox Ukulele Orchestra.......I have been practicing for when I move to Hawaii.
Diand, the banjo that the tenor guitar replaced, back in the 20s, when they invented them, was the four-string tenor banjo that was used in jazz bands, not the 5-string bluegrass or mountain banjos.
When those 4-string banjos fell out of favor, in the 30s, a lot of the mountain guys bought them (cheap), and had Gibson or one of the other manufacturers put a 5-string neck on them. That was the invention of the resonator-backed banjos that made bluegrass possible.
The five-string that all the folk groups favored was the long-necked, open-backed banjo that Pete Seeger invented.
I knew there was a guitar lesson for me in this.
Not being a musician, I still love stringed instruments and am fascinated by the evolution of all this -- ways to get instruments inexpensively to musicians, ways they can pick up one instrument and then another relatively quickly etc. That there are different kinds of banjos.... that I wouldn't have noticed, although I did notice there were several of them. The Kingston Trio performed with two banjos and a four-string guitar. I guess that was Pete Seeger's influence?
Really appreciate all this history, Rik!
I was hoping to add a link to Pam Polland's ukulele band she plays with in Hawaii, but did find this:
http://www.pamelapolland.com/er.html
Am listening to 17 year old Polland and 15 year old Ry Cooder live at the Ash Grove. (4th album linked at the site) WOW!
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